Director: Terence Fisher
Cast: Paul Massie, Dawn Addams, Christopher Lee, David Kossoff, Francis de Wolff
Welcome to the first Hammer Horror film review at The Psycho Ward! For those who don't know, Hammer is a British subsidiary of Exclusive Media Group that is very popular for the Christopher Lee Dracula films.
THE PLOT: While it basically follows the same storyline as the version of Dr. Jekyll and Mr. Hyde we know and love, there are a few differences. For one, all of the characters, except for Jekyll and Hyde, have been replaced with completely original characters. There is a semi-original storyline as well.
Henry Jekyll's (Paul Massie) wife Kitty (Dawn Addams) cheats on him with his friend Paul Allen (Christopher Lee, who hounds money from Jekyll). Ignoring the warnings of his colleague and friend Dr. Ernst Littauer (David Kossoff), Jekyll concocts a chemical potion which he hopes will help him learn the depths of the human mind. Testing the potion on himself, he transforms into Mr. Hyde, a young and handsome, but also murderous and lecherous beast. Soon, Hyde becomes bored with conventional debauchery, and when his eyes catch Kitty, he decides he must have her. When Kitty rejects him, Hyde rapes and murders her, and frames his other self for these crimes. He also passes the time by wooing a snake charmer, but he eventually murders her and uses her snake to kill Paul.
THE REVIEW: While usually I am against using original characters and original storylines to "retell" classics (look at the atrocity that was the 1998 "retelling" of Great Expectations), I have to say that these characters and this storyline work terrifically well here. No wonder; it was directed by Terence Fisher.
The only thing I didn't like was Massie's acting, especially while he was charming Maria, but it occurred throughout the whole film. He was too over-the-top as Hyde, but perfect as Jekyll. Despite the over-the-top acting, his performance as Hyde is probably the most cruel and cunning I've ever seen, and that makes it even more wonderful. Sadly, the over-the-topness has to dock this film's score a bit. 4.5 out of 5 stars. Brilliant twist on the original story, and to be honest, I much prefer Hyde as young and handsome, and not for the reason you may think; if you think about it, it makes a tad bit more sense than the monster we always imagine Hyde to be, because if you look at most murderers and beasts today, aren't they young and handsome?
Watch the full film below:
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Sunday, July 24, 2011
Friday, July 8, 2011
Frankenstein (1931)
Director: James Whale
Cast: Colin Clive, Dwight Frye, Boris Karloff, Mae Clarke, John Boles
Another Dwight Frye classic, this time with an all-star cast.
THE PLOT: Forget the plot, you know what Frankenstein is about, even if you're a valley girl who doesn't give a rat's ass about true art.
THE REVIEW: I honestly want to know why Dwight Frye hasn't received any posthumous Oscars, or at least nominations, for his roles. The man is a legend. I also want to know why he was typecast when he played madmen to a T.
Colin Clive is so compelling as Dr. Frankenstein. When Clive and Frye are together in this film, you can almost feel the insanity radiating off on you. Brilliant acting, so this film gets a 4 out of 5. It is based on the novel by Mary Shelley, and it loses a point because, like Dracula, it didn't exactly stick to the original storyline. The monster, played by Boris Karloff, was also a bit more comical than scary.
Cast: Colin Clive, Dwight Frye, Boris Karloff, Mae Clarke, John Boles
Another Dwight Frye classic, this time with an all-star cast.
THE PLOT: Forget the plot, you know what Frankenstein is about, even if you're a valley girl who doesn't give a rat's ass about true art.
THE REVIEW: I honestly want to know why Dwight Frye hasn't received any posthumous Oscars, or at least nominations, for his roles. The man is a legend. I also want to know why he was typecast when he played madmen to a T.
Colin Clive is so compelling as Dr. Frankenstein. When Clive and Frye are together in this film, you can almost feel the insanity radiating off on you. Brilliant acting, so this film gets a 4 out of 5. It is based on the novel by Mary Shelley, and it loses a point because, like Dracula, it didn't exactly stick to the original storyline. The monster, played by Boris Karloff, was also a bit more comical than scary.
Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb (1964)
Director: Stanley Kubrick
Cast: Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens
Thanks to BI for the request!
THE PLOT (from Wikipedia):
United States Air Force Brigadier General Jack D. Ripper (Sterling Hayden), the commander of Burpelson Air Force Base, initiates a plan to attack the Soviet Union with nuclear weapons in the paranoid belief that there is a Communist conspiracy involving water fluoridation which will lead to contamination of everyone's "precious bodily fluids". Ripper orders his nuclear-armed B-52s, which were holding at a fail-safe point as part of a special training exercise, to move into Soviet airspace. Group Captain Lionel Mandrake (Peter Sellers), a Royal Air Force exchange officer serving as General Ripper's executive officer, issues the command on Ripper's order but later realizes that it was not issued in retaliation to a Soviet attack on America. He resolves to recall the planes but Ripper refuses to disclose the three-letter code needed to get the bombers back to base and locks the two of them in his office.
In the "War Room" at The Pentagon, General Buck Turgidson (George C. Scott) briefs President Merkin Muffley (Sellers). He reports that Ripper apparently took advantage of "Wing Attack Plan R," a wartime contingency plan which is intended to give Field Commanders authority to retaliate with nuclear weapons in the event that a Soviet first strike obliterates Washington, D.C. and incapacitates U.S. leadership. When President Muffley angrily begins to question the merits of this, the General responds that he does not "think it's quite fair to condemn a whole program because of a single slip-up". When Muffley proposes that troops be sent to the Air Force Base to seize Ripper (and hopefully force the recall code from him), Turgidson warns that General Ripper will have put the security forces there on high alert—ready to repel any outside force.
Turgidson tries to persuade Muffley to seize the moment and eliminate the Soviet Union by launching a full-scale attack on the Soviet Union. The General believes the United States is in a superior strategic position and a first strike would destroy the majority of the Soviets' missiles before they could retaliate. Without such a response, the US would be annihilated. Muffley refuses to have any part of such a scheme, and instead summons the Soviet ambassador, Alexei de Sadeski (Peter Bull). The Ambassador calls Soviet Premier Dimitri Kisov on the "Hot Line" and gives the Soviets information to help them shoot down the American planes, should they cross into Soviet airspace.
The Ambassador reveals that his side has installed a doomsday device that will automatically destroy life on Earth if there is a nuclear attack against the Soviet Union. The American President expresses amazement that anyone would build such a device. But Dr. Strangelove (Sellers), a former Nazi and weapons expert, admits that it would be "an effective deterrent... credible and convincing." However, a recent study by an American think tank had dismissed it as being too dangerous to be practical.
The wheelchair-using Strangelove explains the technology behind the Doomsday Machine and why it is essential that not only should it destroy the world in the event of a nuclear attack but also be fully automated and incapable of being deactivated. He further points out that the "whole point of the Doomsday Machine is lost if you keep it a secret". When asked why the Soviets did not publicize this, Ambassador de Sadeski sheepishly answers it was supposed to be announced the following Monday at the (Communist) Party Congress because "the Premier loves surprises."
U.S. Army forces arrive at Burpelson to arrest General Ripper. Because Ripper has warned his men that the enemy might attack disguised as American soldiers, the base's security forces open fire on them. A pitched battle ensues, which the Army forces finally win and Ripper, fearing torture to extract the recall code shoots himself. Colonel "Bat" Guano (Keenan Wynn) forces his way into Ripper's office and immediately suspects that Mandrake, whose uniform he does not recognize, is leading a mutiny and arrests him. Mandrake convinces Guano he must call the President with the recall code (OPE) which he has deduced from Ripper's desk blotter doodles but has to use a pay phone to do so. Guano has to shoot open a Coca-Cola machine to obtain coins for the phone, which he does reluctantly. Off camera, Mandrake finally contacts the Pentagon and is able to get the code combinations to the President and Strategic Air Command.
The correct recall code is issued to the planes and all those that have not been shot down by the Soviet military turn back toward base, except one. Its radio and fuel tanks were damaged by an anti-aircraft missile, leaving the plane unable either to receive the recall message or reach its primary or secondary targets, where the Soviets have concentrated all available defences at the urging of President Muffley. The pilot heads for the nearest target of opportunity, an ICBM complex. Aircraft commander Major T. J. "King" Kong (Slim Pickens) goes to the bomb bay to open the damaged doors manually, straddling a nuclear bomb as he repairs arcing wires overhead. When he effects his electrical patches, the bomb bay doors suddenly open, the bomb releases and Kong rides it to detonation like a rodeo cowboy, whooping and waving his cowboy hat. The H-bomb explodes and the Doomsday Device's detonation is inevitable. In the War Room, Ambassador de Sadeski says life on Earth's surface will be extinct in ten months. Dr. Strangelove recommends the President gather several hundred thousand people to be relocated into deep mine shafts, where the radioactivity would never penetrate so the United States can be repopulated. Strangelove suggests a sex ratio of "ten females to each male," with the women selected for their stimulating sexual characteristics and the men selected for youth, health, intellectual capabilities and importance in business and government. He points out that with proper breeding techniques, the survivors could work themselves up to the present Gross National Product in 20 years and emerge after the radioactivity has ceased in about 100 years. At one point, Strangelove's errant right arm tries to give the Nazi salute and then strangle him.
General Turgidson warns of a possible "Mineshaft Gap" that might be a factor when the survivors emerge. De Sadeski walks away from the group and begins taking pictures of the war room's Big Board with a spy camera disguised as a pocketwatch. Just as Dr. Strangelove miraculously gets up from his wheelchair, takes a couple of steps and shouts, "Mein Führer! I can walk!," the Doomsday Machine activates. The film then cuts to a montage of nuclear detonations across the world, accompanied by Vera Lynn's recording of "We'll Meet Again."
THE REVIEW: BI could not have made a better choice. I'm a huge fan of Peter Sellers' work, especially in the Pink Panther films. Sellers delivers more comedy than any of those retards alive today can. Stanley Kubrick is an amazing and funny director of The Shining and Color Me Kubrick with John Malkovich. As for George C. Scott, I'm a big fan of his role as Scrooge in the 80s adaptation of A Christmas Carol.
I watched this film in summer school going into tenth grade. My teacher described it as a black comedy, and it really is, being released when tensions were rising in Vietnam in '64 and the midst of the Cold War.
In this film, Sellers is so versatile that he is able to play two characters at once, a skill reminiscent of another one of my favorite actors Alec Guinness' performance as eight characters in Kind Hearts and Coronets (1946).
This film is funny, and it makes you think. 4.5 out of 5.
Cast: Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens
Thanks to BI for the request!
THE PLOT (from Wikipedia):
United States Air Force Brigadier General Jack D. Ripper (Sterling Hayden), the commander of Burpelson Air Force Base, initiates a plan to attack the Soviet Union with nuclear weapons in the paranoid belief that there is a Communist conspiracy involving water fluoridation which will lead to contamination of everyone's "precious bodily fluids". Ripper orders his nuclear-armed B-52s, which were holding at a fail-safe point as part of a special training exercise, to move into Soviet airspace. Group Captain Lionel Mandrake (Peter Sellers), a Royal Air Force exchange officer serving as General Ripper's executive officer, issues the command on Ripper's order but later realizes that it was not issued in retaliation to a Soviet attack on America. He resolves to recall the planes but Ripper refuses to disclose the three-letter code needed to get the bombers back to base and locks the two of them in his office.
In the "War Room" at The Pentagon, General Buck Turgidson (George C. Scott) briefs President Merkin Muffley (Sellers). He reports that Ripper apparently took advantage of "Wing Attack Plan R," a wartime contingency plan which is intended to give Field Commanders authority to retaliate with nuclear weapons in the event that a Soviet first strike obliterates Washington, D.C. and incapacitates U.S. leadership. When President Muffley angrily begins to question the merits of this, the General responds that he does not "think it's quite fair to condemn a whole program because of a single slip-up". When Muffley proposes that troops be sent to the Air Force Base to seize Ripper (and hopefully force the recall code from him), Turgidson warns that General Ripper will have put the security forces there on high alert—ready to repel any outside force.
Turgidson tries to persuade Muffley to seize the moment and eliminate the Soviet Union by launching a full-scale attack on the Soviet Union. The General believes the United States is in a superior strategic position and a first strike would destroy the majority of the Soviets' missiles before they could retaliate. Without such a response, the US would be annihilated. Muffley refuses to have any part of such a scheme, and instead summons the Soviet ambassador, Alexei de Sadeski (Peter Bull). The Ambassador calls Soviet Premier Dimitri Kisov on the "Hot Line" and gives the Soviets information to help them shoot down the American planes, should they cross into Soviet airspace.
The Ambassador reveals that his side has installed a doomsday device that will automatically destroy life on Earth if there is a nuclear attack against the Soviet Union. The American President expresses amazement that anyone would build such a device. But Dr. Strangelove (Sellers), a former Nazi and weapons expert, admits that it would be "an effective deterrent... credible and convincing." However, a recent study by an American think tank had dismissed it as being too dangerous to be practical.
The wheelchair-using Strangelove explains the technology behind the Doomsday Machine and why it is essential that not only should it destroy the world in the event of a nuclear attack but also be fully automated and incapable of being deactivated. He further points out that the "whole point of the Doomsday Machine is lost if you keep it a secret". When asked why the Soviets did not publicize this, Ambassador de Sadeski sheepishly answers it was supposed to be announced the following Monday at the (Communist) Party Congress because "the Premier loves surprises."
U.S. Army forces arrive at Burpelson to arrest General Ripper. Because Ripper has warned his men that the enemy might attack disguised as American soldiers, the base's security forces open fire on them. A pitched battle ensues, which the Army forces finally win and Ripper, fearing torture to extract the recall code shoots himself. Colonel "Bat" Guano (Keenan Wynn) forces his way into Ripper's office and immediately suspects that Mandrake, whose uniform he does not recognize, is leading a mutiny and arrests him. Mandrake convinces Guano he must call the President with the recall code (OPE) which he has deduced from Ripper's desk blotter doodles but has to use a pay phone to do so. Guano has to shoot open a Coca-Cola machine to obtain coins for the phone, which he does reluctantly. Off camera, Mandrake finally contacts the Pentagon and is able to get the code combinations to the President and Strategic Air Command.
General Turgidson warns of a possible "Mineshaft Gap" that might be a factor when the survivors emerge. De Sadeski walks away from the group and begins taking pictures of the war room's Big Board with a spy camera disguised as a pocketwatch. Just as Dr. Strangelove miraculously gets up from his wheelchair, takes a couple of steps and shouts, "Mein Führer! I can walk!," the Doomsday Machine activates. The film then cuts to a montage of nuclear detonations across the world, accompanied by Vera Lynn's recording of "We'll Meet Again."
THE REVIEW: BI could not have made a better choice. I'm a huge fan of Peter Sellers' work, especially in the Pink Panther films. Sellers delivers more comedy than any of those retards alive today can. Stanley Kubrick is an amazing and funny director of The Shining and Color Me Kubrick with John Malkovich. As for George C. Scott, I'm a big fan of his role as Scrooge in the 80s adaptation of A Christmas Carol.
I watched this film in summer school going into tenth grade. My teacher described it as a black comedy, and it really is, being released when tensions were rising in Vietnam in '64 and the midst of the Cold War.
In this film, Sellers is so versatile that he is able to play two characters at once, a skill reminiscent of another one of my favorite actors Alec Guinness' performance as eight characters in Kind Hearts and Coronets (1946).
This film is funny, and it makes you think. 4.5 out of 5.
Tuesday, June 28, 2011
Capone (1975)
Director: Steve Carver
Starring; Ben Gazzara, Harry Guardino, Susan Blakely, Sylvester Stallone, John Cassavetes, Frank Campanella, John Orchard, Carmen Argenziano, George Chandler, John Davis Chandler, Royal Dano
Another gangster film!
THE PLOT: The film basically chronicles the rise and fall of Al Capone (Ben Gazzara), through his apprenticeship and partnership with Johnny Torio (Harry Guardino) and Frankie Yale (John Cassavetes). He dates Iris Crawford (Susan Blakely), and wages war on the Irish North Side Mob.
THE REVIEW: The whole romance thing kind of reminded me of the love story in the extremely strange '92 version of Dracula. Other than that, this movie was fantastic. I was surprised when they showed the clips from The St. Valentine's Day Massacre film starring Jason Robards that was made in '67. While the killings were not as horrific as in TSVDM, they were still very gory and cool. 4.5 out of 5 stars.
Starring; Ben Gazzara, Harry Guardino, Susan Blakely, Sylvester Stallone, John Cassavetes, Frank Campanella, John Orchard, Carmen Argenziano, George Chandler, John Davis Chandler, Royal Dano
Another gangster film!
THE PLOT: The film basically chronicles the rise and fall of Al Capone (Ben Gazzara), through his apprenticeship and partnership with Johnny Torio (Harry Guardino) and Frankie Yale (John Cassavetes). He dates Iris Crawford (Susan Blakely), and wages war on the Irish North Side Mob.
THE REVIEW: The whole romance thing kind of reminded me of the love story in the extremely strange '92 version of Dracula. Other than that, this movie was fantastic. I was surprised when they showed the clips from The St. Valentine's Day Massacre film starring Jason Robards that was made in '67. While the killings were not as horrific as in TSVDM, they were still very gory and cool. 4.5 out of 5 stars.
The World Is Not Enough (1999)
Director: Michael Apted
Cast: Pierce Brosnan, Sophie Marceau, Robert Carlyle, Denise Richards
Bond film nineteen is much better than Bond film eighteen.
THE PLOT: After a bomb is triggered by a signal via Sir Robert King's lapel pin, he dies in MI6 headquarters and James Bond (Pierce Brosnan) is sent to protect his daughter, Elektra (Sophie Marceau). What he doesn't know is that Elektra is in love with and conspiring with her "kidnapper" Victor Zokas, aka Renard (Robert Carlyle). They are working together to create "a bright, oil-driven future." Renard kidnaps M (Judi Dench) and Bond kills Elektra (not after sleeping with her, of course).
Oh yeah, Bond does all of this with a broken shoulder. Like a boss, right?
THE REVIEW: I love this movie a lot more than TND. I love the boat chase at the beginning, The only minus is the submarine scenes at the end. I've never been a fan of underwater Bond, excluding Thunderball. I give this film 4 out of 5 stars.
Cast: Pierce Brosnan, Sophie Marceau, Robert Carlyle, Denise Richards
Bond film nineteen is much better than Bond film eighteen.
THE PLOT: After a bomb is triggered by a signal via Sir Robert King's lapel pin, he dies in MI6 headquarters and James Bond (Pierce Brosnan) is sent to protect his daughter, Elektra (Sophie Marceau). What he doesn't know is that Elektra is in love with and conspiring with her "kidnapper" Victor Zokas, aka Renard (Robert Carlyle). They are working together to create "a bright, oil-driven future." Renard kidnaps M (Judi Dench) and Bond kills Elektra (not after sleeping with her, of course).
Oh yeah, Bond does all of this with a broken shoulder. Like a boss, right?
THE REVIEW: I love this movie a lot more than TND. I love the boat chase at the beginning, The only minus is the submarine scenes at the end. I've never been a fan of underwater Bond, excluding Thunderball. I give this film 4 out of 5 stars.
Tomorrow Never Dies (1997)
Director: Roger Spottiswoode
Starring: Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher
As much as I hate admitting it, some films from the 90s are classics. *washes mouth out with soap*
Anyways, welcome to the first Bond film review at the Psycho Ward! Today I'll be reviewing the eighteenth Bond film, Tomorrow Never Dies.
THE PLOT: In the eighteenth installment of the Bond series, James Bond (Pierce Brosnan) teams up with Chinese agent Wai Lin (Michelle Yeoh) to stop maniacal journalist Elliot Carver (Jonathan Pryce, big fan of him), who is intent on breaching China's refusal to allow his groundbreaking new satellite and starting World War III.
People who can't understand the coolness of James Bond/big words: typical secret agent stuff.
THE REVIEW: This is not my favorite Bond movie by any means. It's not as terrible as For Your Eyes Only and DEFINITELY not as horrible as Quantum of Solace. It has its fun moments. To be fair, it sort of sounds like a plot for a Spider-Man or Superman comic. I don't know. Not much sex. I'll give it a 3 out of 5.
Starring: Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher
As much as I hate admitting it, some films from the 90s are classics. *washes mouth out with soap*
Anyways, welcome to the first Bond film review at the Psycho Ward! Today I'll be reviewing the eighteenth Bond film, Tomorrow Never Dies.
THE PLOT: In the eighteenth installment of the Bond series, James Bond (Pierce Brosnan) teams up with Chinese agent Wai Lin (Michelle Yeoh) to stop maniacal journalist Elliot Carver (Jonathan Pryce, big fan of him), who is intent on breaching China's refusal to allow his groundbreaking new satellite and starting World War III.
People who can't understand the coolness of James Bond/big words: typical secret agent stuff.
THE REVIEW: This is not my favorite Bond movie by any means. It's not as terrible as For Your Eyes Only and DEFINITELY not as horrible as Quantum of Solace. It has its fun moments. To be fair, it sort of sounds like a plot for a Spider-Man or Superman comic. I don't know. Not much sex. I'll give it a 3 out of 5.
Sunday, June 19, 2011
Silent Sunday Edition: The Phantom Carriage (Körkarlen, 1920)
Director: Victor Sjöström
Cast: Victor Sjöström, Hilda Borgström, Tore Svennberg
Welcome to another Silent Sunday at The Psycho Ward! This week I'll be reviewing a Swedish horror silent (what is with these Swedes and horror movies?), The Phantom Carriage (in Swedish, Körkarlen).
THE PLOT: Oh, you know, this is just another one of those stories about a bad person who dies when his buddies beat him up, and then a messenger of Death comes along and shows him his past and all the people that mean a lot to him, and then he repents and says that he'll change his ways, and then the Grim Reaper puts him back in his body and takes him at his word.
On New Year's Eve, David Holm (Victor Sjöström) is an alcoholic who is spending the holiday with some buddies in a graveyard (who does this, even in the 20s and considering the plot line?). He tells a story about his old friend Georges (Tore Svennberg) who, on the previous New Year's Eve, told a story about Death's carriage and why he doesn't want to die on New Year's Eve, because a person that dies on New Year's Eve becomes Death's messenger for the next year, showing tortured souls how to redeem him/herself. Apparently not many people in Sweden in 1920 died on New Year's Eve, because only one person gets chosen specifically.
Well, back to David and his story. He says that Georges supposedly died last New Year's Eve....dun da dun dun. Bringing back memories of ghost stories around the campfire?
David and his buddies get into a fight and the buddies attack him when a messenger says that the dying Sister Edit (Astrid Holm) is calling for him and David says he won't go. The boys crack a beer bottle over his head and they run away once they realize that David has died at the stroke of midnight.
Speaking of midnight, guess who the lucky guy is that got the job of Death Messenger? Yup, it's Georges! He shows up in a horse and carriage in true Grim Reaper fashion and shows David how wonderful his life used to be with his wife, Anna (Hilda Borgström) before he met Georges and the other alcoholics. It is revealed how Anna left him after he was jailed for intoxication. He also reminds him how David exactly one year ago was taken care of by Edit, and while treating her badly, he gave her his promise to find her the following year so she would find out whether her prayers for him had worked or not.
Georges informs David that the promise has to be fulfilled and brings him in the carriage to Edit’s house. In another flashback it is shown how Edit once found David in a bar with his friend Gustafsson (Tor Weijden). Edit persuaded them to go to a Salvation Army meeting. At the meeting, Gustafsson submitted himself to God, but David stayed cynical. Present at the meeting was also David's wife. Edit tried to bring the couple together again. At first they were optimistic, but soon David's drinking drove them into despair. One night David became aggressive when Anna tried to protect their children from being infected by David's tuberculosis. He was locked in the kitchen, but broke through the door with an axe.
When the driver arrives in Edit's room, she begs him to let her live until she sees David again. She thinks she is the one to blame for his guilt, as she brought the couple together again. When David hears this he is moved. He kisses her hands, and when Edit sees his regret she can die in peace. Georges then takes David to Anna, who is planning to kill herself and their children. David begs Georges and God to let him interfere. Georges allows him to return to life. David and Anna embrace each other and cry. Sinner, redeemed.
MY REVIEW: Good spin on an old folk tale, and it wasn't nearly as scary as a certain Swedish film made in 1922 that we won't mention here. I think I'd give it a 4 out of 5. Well done, and lesson learned.
Cast: Victor Sjöström, Hilda Borgström, Tore Svennberg
Welcome to another Silent Sunday at The Psycho Ward! This week I'll be reviewing a Swedish horror silent (what is with these Swedes and horror movies?), The Phantom Carriage (in Swedish, Körkarlen).
THE PLOT: Oh, you know, this is just another one of those stories about a bad person who dies when his buddies beat him up, and then a messenger of Death comes along and shows him his past and all the people that mean a lot to him, and then he repents and says that he'll change his ways, and then the Grim Reaper puts him back in his body and takes him at his word.
On New Year's Eve, David Holm (Victor Sjöström) is an alcoholic who is spending the holiday with some buddies in a graveyard (who does this, even in the 20s and considering the plot line?). He tells a story about his old friend Georges (Tore Svennberg) who, on the previous New Year's Eve, told a story about Death's carriage and why he doesn't want to die on New Year's Eve, because a person that dies on New Year's Eve becomes Death's messenger for the next year, showing tortured souls how to redeem him/herself. Apparently not many people in Sweden in 1920 died on New Year's Eve, because only one person gets chosen specifically.
Well, back to David and his story. He says that Georges supposedly died last New Year's Eve....dun da dun dun. Bringing back memories of ghost stories around the campfire?
David and his buddies get into a fight and the buddies attack him when a messenger says that the dying Sister Edit (Astrid Holm) is calling for him and David says he won't go. The boys crack a beer bottle over his head and they run away once they realize that David has died at the stroke of midnight.
Speaking of midnight, guess who the lucky guy is that got the job of Death Messenger? Yup, it's Georges! He shows up in a horse and carriage in true Grim Reaper fashion and shows David how wonderful his life used to be with his wife, Anna (Hilda Borgström) before he met Georges and the other alcoholics. It is revealed how Anna left him after he was jailed for intoxication. He also reminds him how David exactly one year ago was taken care of by Edit, and while treating her badly, he gave her his promise to find her the following year so she would find out whether her prayers for him had worked or not.
Georges informs David that the promise has to be fulfilled and brings him in the carriage to Edit’s house. In another flashback it is shown how Edit once found David in a bar with his friend Gustafsson (Tor Weijden). Edit persuaded them to go to a Salvation Army meeting. At the meeting, Gustafsson submitted himself to God, but David stayed cynical. Present at the meeting was also David's wife. Edit tried to bring the couple together again. At first they were optimistic, but soon David's drinking drove them into despair. One night David became aggressive when Anna tried to protect their children from being infected by David's tuberculosis. He was locked in the kitchen, but broke through the door with an axe.
When the driver arrives in Edit's room, she begs him to let her live until she sees David again. She thinks she is the one to blame for his guilt, as she brought the couple together again. When David hears this he is moved. He kisses her hands, and when Edit sees his regret she can die in peace. Georges then takes David to Anna, who is planning to kill herself and their children. David begs Georges and God to let him interfere. Georges allows him to return to life. David and Anna embrace each other and cry. Sinner, redeemed.
MY REVIEW: Good spin on an old folk tale, and it wasn't nearly as scary as a certain Swedish film made in 1922 that we won't mention here. I think I'd give it a 4 out of 5. Well done, and lesson learned.
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